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@prefix dre: <https://data.africamultiple.uni-bayreuth.de/ontology/dre#> .

<https://data.africamultiple.uni-bayreuth.de/resource/28805>
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    rdfs:label "The polyrhythmic foundation of Tswana pipe melody" ;
    dcterms:title "The polyrhythmic foundation of Tswana pipe melody" ;
    dcterms:type <https://data.africamultiple.uni-bayreuth.de/resource/8> ;
    dcterms:language <https://data.africamultiple.uni-bayreuth.de/resource/1858> ;
    dcterms:subject <https://data.africamultiple.uni-bayreuth.de/resource/2265>, <https://data.africamultiple.uni-bayreuth.de/resource/2263>, <https://data.africamultiple.uni-bayreuth.de/resource/25435>, <https://data.africamultiple.uni-bayreuth.de/resource/25463>, <https://data.africamultiple.uni-bayreuth.de/resource/2161>, <https://data.africamultiple.uni-bayreuth.de/resource/25434>, <https://data.africamultiple.uni-bayreuth.de/resource/42393>, <https://data.africamultiple.uni-bayreuth.de/resource/2456> ;
    dcterms:abstract "This paper proposes the theory that Tswana pipe melody is not initially conceived as melody at all, but is the result of the application of polyrhythms to the fixed pitches of the pipes of the ensemble in accordance with the norms of Tswana harmony." ;
    dcterms:created "1965-06-21"^^xsd:date ;
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    dcterms:identifier "1065" ;
    bibo:doi "10.21504/amj.v3i4.1065" ;
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    fabio:hasURL <https://journal.ru.ac.za/index.php/africanmusic/article/view/1065/version/985> ;
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    dcterms:description "pages: 52-67" ;
    dre:id "eaa-99-012f" ;
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