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<https://data.africamultiple.uni-bayreuth.de/resource/42280>
    a fabio:JournalArticle ;
    rdfs:label "An Intimate “Range of Elsewhere” : Sensuous Imaginaries of the Indian Ocean in Precolonial Swahili Poetry" ;
    dcterms:title "An Intimate “Range of Elsewhere” : Sensuous Imaginaries of the Indian Ocean in Precolonial Swahili Poetry" ;
    dcterms:type <https://data.africamultiple.uni-bayreuth.de/resource/30612> ;
    dcterms:identifier "eref-90071", "http://www.wikidata.org/entity/Q141738611", "Q141738611" ;
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    bibo:uri <https://eref.uni-bayreuth.de/id/eprint/90071/> ;
    bibo:doi "10.1215/00104124-9594800" ;
    schema:sameAs <https://doi.org/10.1215/00104124-9594800> ;
    bibo:issn "1945-8517" ;
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    bibo:volume "74"^^xsd:integer ;
    bibo:issue "2"^^xsd:integer ;
    bibo:pageStart "156"^^xsd:integer ;
    bibo:pageEnd "170"^^xsd:integer ;
    dcterms:date "2022"^^xsd:gYear ;
    bibo:abstract "The Swahili poetry of the master poet Fumo Liyongo, which dates between the fifteenth and eighteenth centuries, draws much of its imagery from the Indian Ocean, and in a particularly sensuous way: the poems paint baroque tableaux of Swahili material culture, evoking multiple elsewheres. They conjure the Indian Ocean through tastes, scents, and views of its rich interiors, which delineate a distinctively coastal world implicated to different degrees in the vaster oceanic region. Borrowing from aesthetic theories, the article explores the poem’s sensuality as a productive way of “thinking” about Indian Ocean relations, namely as a continual reemergence of cycles of sensation, questioning the clear-cut dichotomy of the “exterior” world and “intimate” notions of irreducible personhood as well as notions of local and cosmopolitan. Zeroing in on the betel quid, which has turned into a “mythological” cultural node of Swahili identity as well as a prominent rhetorical topos of Swahili love poetry, this article explores its imaginative productivity."@en ;
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