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Africa Multiple Interactive Research Atlas (AMIRA)

Africa Multiple Interactive Research Atlas (AMIRA)

ILAM

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ILAM
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“COUNTERPOINT IN AFRICAN MUSIC.” by Fr. F. Giorgetti, F.S.C.
“COUNTERPOINT IN AFRICAN MUSIC.” by Fr. F. Giorgetti, F.S.C.
pages: 102
“DOMINE NON SUM DIGNUS”, Filibcrto Giorgetti, F.S.C.L, 1963: a motet with both African and Latin texts; Editrice Nigrizia, via Meloncello 3/3, Bologna, Italy
“DOMINE NON SUM DIGNUS”, Filibcrto Giorgetti, F.S.C.L, 1963: a motet with both African and Latin texts; Editrice Nigrizia, via Meloncello 3/3, Bologna, Italy
pages: 121-122
“DOZE CANCOES DA LUNDA”, Commentarios, transcricoes e harmonizacao de professor maestro Hermino do Nascimento; 1962, in-quarto, 84 pp., Compania de Diamantes de Angola, Rua des Fanqueiros, No. 12, 2", Lisbon
“DOZE CANCOES DA LUNDA”, Commentarios, transcricoes e harmonizacao de professor maestro Hermino do Nascimento; 1962, in-quarto, 84 pp., Compania de Diamantes de Angola, Rua des Fanqueiros, No. 12, 2", Lisbon
pages: 121
“MISSA SANDE I”, by STEPHEN PONDE, 6 pages, 1962, clapping indicated for practice only; the Catholic Mission Press, Gwelo, Rhodesia
“MISSA SANDE I”, by STEPHEN PONDE, 6 pages, 1962, clapping indicated for practice only; the Catholic Mission Press, Gwelo, Rhodesia
pages: 122
“MISSA ZANDE”, by Fr. F. GIORGETTI, F.S.C. Discoteca Comboniana, Editrice Nigrizia, via Meloncello 3/3, Bologna, Italy. Recorded by the choir of Missione Africane di Rebbio, directed by P. S. Benedetti and (drums) Prof. Bionda Lonello. 7-inch L.P. “MISA BABA YETU” (Mass “Our Father”) by STEPHEN MBUNGA. Mnsica Verba, available at the Benedictine Seminary of Peramiho, Tanzania, where it was recorded. 7-inch L.P.
“MISSA ZANDE”, by Fr. F. GIORGETTI, F.S.C. Discoteca Comboniana, Editrice Nigrizia, via Meloncello 3/3, Bologna, Italy. Recorded by the choir of Missione Africane di Rebbio, directed by P. S. Benedetti and (drums) Prof. Bionda Lonello. 7-inch L.P. “MISA BABA YETU” (Mass “Our Father”) by STEPHEN MBUNGA. Mnsica Verba, available at the Benedictine Seminary of Peramiho, Tanzania, where it was recorded. 7-inch L.P.
pages: 122-123
“MUSIC IN RWANDA", a contribution to the Ethnomusicology of Central Africa by Dr. ROBERT GUNTHER. Tervuren, Belgium, 1964.
“MUSIC IN RWANDA", a contribution to the Ethnomusicology of Central Africa by Dr. ROBERT GUNTHER. Tervuren, Belgium, 1964.
pages: 86-87
“MUSIC OF AFRICA” SERIES OF LONG PLAYING RECORDS.
“MUSIC OF AFRICA” SERIES OF LONG PLAYING RECORDS.
pages: 84-86
“MUSIC OF THE SLAVES” IN THE INDIAN OCEAN CREOLE ISLANDS: A PERSPECTIVE FROM THE SEYCHELLES
“MUSIC OF THE SLAVES” IN THE INDIAN OCEAN CREOLE ISLANDS: A PERSPECTIVE FROM THE SEYCHELLES
pages: 1-24
“MUSICAL INSTRUMENTS, HORNIMAN MUSEUM”, published by the London County Council, pp. 109., 16 plates
“MUSICAL INSTRUMENTS, HORNIMAN MUSEUM”, published by the London County Council, pp. 109., 16 plates
pages: 88
“NDWIYO DZECHECHI DZEVU” (HYMNS OF THE SOIL). Music Edition. Edited by John E. Kaemmer. Church Music Service, P.B. 636E, Salisbury, Rhodesia, pp. 56. 1966. 2s.
“NDWIYO DZECHECHI DZEVU” (HYMNS OF THE SOIL). Music Edition. Edited by John E. Kaemmer. Church Music Service, P.B. 636E, Salisbury, Rhodesia, pp. 56. 1966. 2s.
pages: 75-76
“OS INSTRUMENTOS MUSICAIS DE MOZAMBIQUE”, by Margot Dias in GEOGRAPHICA, Ano II, No. 6. April, 1966.
“OS INSTRUMENTOS MUSICAIS DE MOZAMBIQUE”, by Margot Dias in GEOGRAPHICA, Ano II, No. 6. April, 1966.
pages: 74-75
“PANORAMA GRAMMATICALE ZANDE” by Fr. Imco and Fr. Gero
“PANORAMA GRAMMATICALE ZANDE” by Fr. Imco and Fr. Gero
pages: 88-89
“SINCE SINGING IS SO GOOD A THING”. Handbook for Music Teachers and Choir Masters. by GRAHAM HYSLOP. Oxford University Press, Nairobi, 1964. pp. 127.
“SINCE SINGING IS SO GOOD A THING”. Handbook for Music Teachers and Choir Masters. by GRAHAM HYSLOP. Oxford University Press, Nairobi, 1964. pp. 127.
pages: 119-120
“STUDIES IN AFRICAN MUSIC” by REV. A. M. JONES. Oxford University Press, 1959. Vols. 1 and 2, pp. 295 and 238, 18 plates etc., 7 gns.
“STUDIES IN AFRICAN MUSIC” by REV. A. M. JONES. Oxford University Press, 1959. Vols. 1 and 2, pp. 295 and 238, 18 plates etc., 7 gns.
pages: 84-89
“THE LION ON THE PATH AND OTHER AFRICAN STORIES”, told by Hugh Tracey. Illustrated by Eric Byrd. Music transcribed by Andrew Tracey. London, Routledge and Kegan Paul. 1967. 18/- 127 pp.
“THE LION ON THE PATH AND OTHER AFRICAN STORIES”, told by Hugh Tracey. Illustrated by Eric Byrd. Music transcribed by Andrew Tracey. London, Routledge and Kegan Paul. 1967. 18/- 127 pp.
pages: 65
“THE STORY OF SACRED WOOD CARVINGS FROM ONE SMALL YORUBA TOWN”, by H. U. Beier, edited by D. W. Macrow. Printed at Yaba, and published by the Nigeria Magazine, Marina, Lagos
“THE STORY OF SACRED WOOD CARVINGS FROM ONE SMALL YORUBA TOWN”, by H. U. Beier, edited by D. W. Macrow. Printed at Yaba, and published by the Nigeria Magazine, Marina, Lagos
pages: 58
10 Years of "Ankole sacred music" in the Diocese of Mbabara
10 Years of "Ankole sacred music" in the Diocese of Mbabara
pages: 83
A Bantu suite for piano, xylophone, whistles and voices
A Bantu suite for piano, xylophone, whistles and voices
pages: 40-44
A case for the name Mbira
A case for the name Mbira
pages: 17-25
A HANDBOOK OF MUSICAL AND OTHER SOUND-PRODUCING INSTRUMENTS FROM EQUATORIAL GUINEA AND GABON, by Åke Norborg, Musikmuseets, Stockholm, No 16, 1989, pp.469.
A HANDBOOK OF MUSICAL AND OTHER SOUND-PRODUCING INSTRUMENTS FROM EQUATORIAL GUINEA AND GABON, by Åke Norborg, Musikmuseets, Stockholm, No 16, 1989, pp.469.
pages: 119-121
A history of Kenyan guitar music: 1945-1980
A history of Kenyan guitar music: 1945-1980
pages: 17-36
A hobbyist looks at Zulu and Xhosa songs
A hobbyist looks at Zulu and Xhosa songs
pages: 29-33
A Language of Song: Journeys in the Musical World of the African Diaspora. Samuel Charters. 2009. London and Durham, NC: Duke University Press. 59 photos, index, 368pp.
A Language of Song: Journeys in the Musical World of the African Diaspora. Samuel Charters. 2009. London and Durham, NC: Duke University Press. 59 photos, index, 368pp.
pages: 147-148
A Lunda Kalendi
A Lunda Kalendi
pages: 15-22
A model for the study of African music
A model for the study of African music
pages: 6-11