Rhodes University

• The phenomenon of inherent rhythms in East and Central African instrumental music Current Location · is funded by
• The polyrhythmic foundation of Tswana pipe melody Current Location · is funded by
• The relationship between lyrics and melody in Rimi vocal music Current Location · is funded by
• The religious element in Mau Mau Current Location · is funded by
• The role of the drummer in Akan society Current Location · is funded by
• The Sercmknre and Music in Tlokweng, Botswana, by Jürgen Schöpf, Intercultural Music Studies 13, edited by Max Peter Baumann, Institute for Music Research, Julius- Maximilian University of Würzburg, Verlag für Wissenschaft und Bildung, Berlin 2008, 279 pp., 108 pp. of music transcriptions, 5 photographs and 13-track DVD, 978­3-86135-645-5. Current Location · is funded by
• The Shantu music of the Harims of Nigeria Current Location · is funded by
• The singer Anne-Marie Nzié and the song "liberté": on popular music and the postcolonial state in Cameroon Current Location · is funded by
• The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana Current Location · is funded by
• The sociology of recording in Africa south of the Sahara Current Location · is funded by
• THE SOUL OF MBIRA TWENTY YEARS ON: A RETROSPECT, Part 2: THE SOUL OF MBIRA: MUSIC AND TRADITIONS OF THE SHONA PEOPLE OF ZIMBABWE, by Paul Berliner, University of Chicago Press, Chicago and London, 1994 (first published Univ. of California Press, Berkeley, 1978), 312pp, illustrations, transcriptions, appendices, index. Current Location · is funded by
• THE SOUL OF MBIRA TWENTY YEARS ON:A RETROSPECT, Part 1: THE SOUL OF MBIRA: MUSIC AND TRADITIONS OF THE SHONA PEOPLE OF ZIMBABWE, by Paul Berliner, University of Chicago Press, Chicago and London, 1994 (first published Univ. of California Press, Berkeley, 1978), 312pp, illustrations, transcriptions, appendices, index. Current Location · is funded by
• The state of folk music in Bantu Africa Current Location · is funded by
• THE STEEL DRUMS OF KIM LOY WONG. An instruction book by PETE SEEGER. Oak Publications, Inc., 121 W. 47th. St., New York, N.Y., U.S.A. 1961, pp. 40, $2.95. To accompany Folkways records FI-8367 and FS-3834, and the film, “Music from Oil Drums” Current Location · is funded by
• The structure of Kiganda xylophone music Current Location · is funded by
• THE STUDY OF FOLKLORE, edited by Alan Dundcs: Prentice-Hall, Ind., Englewood Cliffs, New Jersey. 482 pp. with 35 illustrations and drawings, six musical illust. and 15 comprehensive maps Current Location · is funded by
• The talking drums of Nigeria Current Location · is funded by
• The talking drums of the Yoruba Current Location · is funded by
• The Text Book Project for African Music Current Location · is funded by
• The trans-atlantic journey of Gumbé: where and why has it survived? Current Location · is funded by
• The Tuareg of the Ahaggar Current Location · is funded by
• The tuning of Mbira reeds: a contribution to the craft of Mbira making Current Location · is funded by
• The use of African music in the church Current Location · is funded by
• The use of metaphor and certain scale patterns in traditional music of Botswana Current Location · is funded by
• The Very Best of Hugh Tracey: from the monumental cd series 'Historical Recordings by Hugh Tracey'. SWP Records. SWP034/HT022. Compiled by Michael Baird in collaboration with ILAM. One compact disc, no accompanying booklet. Lesotho Calling: Lesiba and Sekhankula Music. SWP Records. SWP 033. Recorded and compiled by Michael Baird in collaboration with Dada Moqasa of Lesotho Broadcasting. One compact disc, with 22-page booklet and notes by Michael Baird. Current Location · is funded by

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