English

• "Social media is for the elite" : Local political communication in Ghana in times of COVID-19 working paper Language
• "STEP IT DOWN. GAMES, PLAYS, SONGS AND STORIES FROM THE AFRO-AMERICAN HERITAGE”, by Bessie Jones and Bess Lomax Howes. Harper and Row, New York, 1972. pp. 233, with numerous musical scores Language
• "THE AFRICAN XYLOPHONE”. Lois Anderson. African Arts/Arts D'Afrique. August, 1967. Language
• "THE BANTU COMPOSERS OF SOUTHERN AFRICA”, by Yvonne Huskisson, South African Broadcasting Corporation, P.O. Box 8606, Johannesburg, South Africa; 1969; pp. 335, illus. Language
• "THE MUSIC OF CENTRAL AFRICA" by ROSE BRANDEL. Martinus Nijhoff. The Hague. 1961, XII and 272 pp. with 135 pp. of musical examples. Language
• "THE STUDY OF PRIMITIVE MUSICAL INSTRUMENTS. Brief notes on some existing approaches and systems of classification”, by David Rycroft, Review of Ethnology, Volume 1, 1969, No. 14, pp. 1-8, and No. 15, pp. 1-5, Institut fur Volkerkunde, Vienna University Language
• "They sing our origins": a study of the lungsi drummers of Mampurugu Language
• "They're plotting against us": Public narratives utilised by Kenyan Community-Based Organisations advocating for land rights journal article Language
• "THIS COUNTRY OF CHINA IS TOUGH": NIGERIAN IMMIGRANT MUSIC MAKING IN GUANGZHOU, CHINA Language
• "This is our water!" : The politics of locality and the commons in the city of Bulawayo book chapter Language
• "UN FILM EXPERIMENTAL: BATTERIES DOGON, ELEMENTS POUR UNE ETUDE DE RYTHMES”, L'HOMME. Gilbert Rouget. Revue Francaise d'Anthropologie, V-2, 1965. Language
• "When Making is Inclusive, Good Things Happen" - Really? Why Diversity is Problematic, and Why an Inclusive Practice might Re-Politicize the Museum book chapter Language
• “AFRICAN SCULPTURE”, by William Fagg and Margaret Plass. 160 pp., fully illustrated with photographs. Studio Vista. London. 18/-. Language
• “Are they just for venting out?” : Exploring discourses on women-only Facebook Groups on television talk show programs in Egypt working paper Language
• “Changing beyond Recognition”? : Reimagining the future of smallholder farming systems in the context of climate change journal article Language
• “COUNTERPOINT IN AFRICAN MUSIC.” by Fr. F. Giorgetti, F.S.C. Language
• “DOMINE NON SUM DIGNUS”, Filibcrto Giorgetti, F.S.C.L, 1963: a motet with both African and Latin texts; Editrice Nigrizia, via Meloncello 3/3, Bologna, Italy Language
• “DOZE CANCOES DA LUNDA”, Commentarios, transcricoes e harmonizacao de professor maestro Hermino do Nascimento; 1962, in-quarto, 84 pp., Compania de Diamantes de Angola, Rua des Fanqueiros, No. 12, 2", Lisbon Language
• “Hanging out” with judicial and legal elites: Reflections on researching “up” working paper Language
• “MISSA SANDE I”, by STEPHEN PONDE, 6 pages, 1962, clapping indicated for practice only; the Catholic Mission Press, Gwelo, Rhodesia Language
• “MISSA ZANDE”, by Fr. F. GIORGETTI, F.S.C. Discoteca Comboniana, Editrice Nigrizia, via Meloncello 3/3, Bologna, Italy. Recorded by the choir of Missione Africane di Rebbio, directed by P. S. Benedetti and (drums) Prof. Bionda Lonello. 7-inch L.P. “MISA BABA YETU” (Mass “Our Father”) by STEPHEN MBUNGA. Mnsica Verba, available at the Benedictine Seminary of Peramiho, Tanzania, where it was recorded. 7-inch L.P. Language
• “MUSIC IN RWANDA", a contribution to the Ethnomusicology of Central Africa by Dr. ROBERT GUNTHER. Tervuren, Belgium, 1964. Language
• “MUSIC OF AFRICA” SERIES OF LONG PLAYING RECORDS. Language
• “MUSIC OF THE SLAVES” IN THE INDIAN OCEAN CREOLE ISLANDS: A PERSPECTIVE FROM THE SEYCHELLES Language
• “MUSICAL INSTRUMENTS, HORNIMAN MUSEUM”, published by the London County Council, pp. 109., 16 plates Language

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