The future of music in Basutoland
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Abstract
- Abstract
- There is a popular impression among the general public that folk music is a thing of the past and of no modern importance. This no doubt arises from a misconception of the function of music in society and also from the notion that the practice of European folk musics is a revivalist art, and, therefore, African music must fall into the same category. This is far from the truth which, in this case, is hidden under a mass of false assumptions and prejudices. There are two good reasons, the one cultural and the other social, why the authentic country music of Basutoland, like other African musics elsewhere, should be studied carefully and enlisted into the ranks of modern community services. Before discussing this we must comprehend the motives of those persons, black and white alike, who see in the destruction of a local musical form a sense of ‘progress’.
Description
- Description
- pages: 10-14
Subjects
People & roles
- Author
-
Tracey, Hugh
Value Annotations
Value Annotations
Origins & context
- Title
- The future of music in Basutoland
- Type
- Text
- Language
- English
- Parent project
- International Library of African Music
- is funded by
-
Rhodes University
- Place of Origin
- South Africa
- Current Location
-
Rhodes University
- Created Date
- November 30, 1959
Rights & access
- License
- CC-BY-NC-SA-4.0
- Access Rights
- Public
Identifiers & sources
- DRE ID
- eaa-99-009c
- Identifier
-
582
Value Annotations
Value Annotations
- Type
- Publisher, distributor, or vendor stock number