STILL RECORDING AFRICAN MUSIC IN THE FIELD
Abstract
- Abstract
- Field sound recordings are an indispensable source of data for ethnomusicologists. However, to my knowledge there are no standards or guidelines of how this data should be captured and managed. With the progress made in machine learning, it has become vital to record data in a way that also supports the retrieval of information about the music. This article describes a model developed for field recordings that aims to aid an objective data gathering process. This model, developed through an action research process that spanned multiple field recording sessions from 2009–2015, include recording equipment, production processes, the gathering of metadata as well as intellectual property rights. The core principles identified in this research are that field recording systems should be designed to provide accurate feedback as a means of quality control and should capture and manage metadata without relying on secondary tools. The major findings are presented in the form of a checklist that can serve as a point of departure for ethnomusicologists making field recordings.
Description
- Description
- pages: 136-158
Subjects
People & roles
- Author
-
Roux, Gerhard
Value Annotations
Origins & context
- Is Part Of
- Stellenbosch University
Origins & context
- Title
- STILL RECORDING AFRICAN MUSIC IN THE FIELD
- Type
- Text
- Language
- English
- Parent project
- International Library of African Music
- is funded by
-
Rhodes University
- Place of Origin
- South Africa
- Created Date
- November 22, 2018
Rights & access
- License
- CC-BY-NC-SA-4.0
- Access Rights
- Public
- Copyright Date
- January 1, 2019
Identifiers & sources
- DRE ID
- eaa-99-03d2
- Identifier
-
2296
Value Annotations
Origins & context
- Type
- Publisher, distributor, or vendor stock number
- WissKI URL
- 82828
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