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• "African music", a lecture given at Natal University Type
• "AN ATTEMPT TO A KINYANKORE CLASSIFICATION OF MUSICAL INSTRUMENTS”, by Paul van Thiel, W.F., Review of Ethnology, No. 13, 1969, pp. 1-5, Institut fur Volkerkunde, Vienna University. Type
• "CREATIVE ETHNOMUSICOLOGY” AND AFRICAN ART MUSIC: A CLOSE MUSICAL READING OF WOOD AND CLAY, KUNDI DREAMS AND UMRHUBHE GEESTE BY ANTHONY CAPLAN Type
• "Cuban music is African music": negotiating Africa and the African diaspora on the world music stage Type
• "Hangriba.” Performed by the Shatta Boys, Cape Coast, Ghana. Type
• "LIEDERD ER GONJA. MUSIK- UND TEXTANALYSE, NEBST EINIGEN METHODISCHEN BEMERKUNGEN.” A. M. Dauer. Zeitschrift fur Ethnologie, Band 92, Heft 2, Braunschweig 1967. Type
• "MUSIQUE DU BURUNDI” - OCR 40, 33 r.p.m. Disques OCORA, Maison de l'Office de Radio-diffusion Television Francaise, 116 Av. de President Kennedy, Paris. Type
• "Negro rhythm in the Americas"- being extracts from an article originally written in Spanish Type
• "Recent Field Research in Folk Music and Folk Dance: Aims and Methods.” Type
• "ROOTS OF RHYTHM: MUSICAL INSTRUMENTS OF EAST AFRICA", video with booklet, Jacaranda Designs Ltd, Nairobi, 1995. Type
• "SINGING THE HEALING": THE RITUALS OF THE TWELVE APOSTLES CHURCH IN GHANA Type
• "STEP IT DOWN. GAMES, PLAYS, SONGS AND STORIES FROM THE AFRO-AMERICAN HERITAGE”, by Bessie Jones and Bess Lomax Howes. Harper and Row, New York, 1972. pp. 233, with numerous musical scores Type
• "THE AFRICAN XYLOPHONE”. Lois Anderson. African Arts/Arts D'Afrique. August, 1967. Type
• "THE BANTU COMPOSERS OF SOUTHERN AFRICA”, by Yvonne Huskisson, South African Broadcasting Corporation, P.O. Box 8606, Johannesburg, South Africa; 1969; pp. 335, illus. Type
• "THE MUSIC OF CENTRAL AFRICA" by ROSE BRANDEL. Martinus Nijhoff. The Hague. 1961, XII and 272 pp. with 135 pp. of musical examples. Type
• "THE STUDY OF PRIMITIVE MUSICAL INSTRUMENTS. Brief notes on some existing approaches and systems of classification”, by David Rycroft, Review of Ethnology, Volume 1, 1969, No. 14, pp. 1-8, and No. 15, pp. 1-5, Institut fur Volkerkunde, Vienna University Type
• "They sing our origins": a study of the lungsi drummers of Mampurugu Type
• "THIS COUNTRY OF CHINA IS TOUGH": NIGERIAN IMMIGRANT MUSIC MAKING IN GUANGZHOU, CHINA Type
• "UN FILM EXPERIMENTAL: BATTERIES DOGON, ELEMENTS POUR UNE ETUDE DE RYTHMES”, L'HOMME. Gilbert Rouget. Revue Francaise d'Anthropologie, V-2, 1965. Type
• "…THOSE WHO DID IT HAVE POWER...” MUSIC, HEALTH AND HEGEMONY IN TANZANIA IN THE CONTEXT OF HIV/AIDS Type
• 'Doing it with style': an ethnopoetics study of improvisation and variation in Southern Ewe drum language conversations Type
• 'MUSIQUE DE L'AFRIQUE' by Francois Bebey. Edition Horizons de France - 19 X 22 cm., 208 pp., 97 illustrations and four line drawings, with a 17 cm. L.P. record Type
• 'Principles governing the construction of the Silimba, a xylophone type found among the Lozi of Zambia', by Atta Annan Mensah.'Ghanaian xylophone studies', by Mitchel Strumpf.'Oral notation of some West and Central African time-line patterns', by Gerhard Kubik. 'Fieldwork in African music', by John Blacking Type
• 'YET NONE WITH TRUER FERVOUR SING': CORONATION SONG AND THE (DE)COLONIZATION OF AFRICAN CHORAL COMPOSITION Type
• “AFRICAN SCULPTURE”, by William Fagg and Margaret Plass. 160 pp., fully illustrated with photographs. Studio Vista. London. 18/-. Type

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